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TateShots: Mike Nelson

Sand dunes in Morocco

Mike Nelson‘s labyrinthine installations, made of interconnecting corridors and chambers, are intentionally disorientating. In his new work for the Turner Prize, the corridors contain peepholes through which we spy four, mirrored rooms. Each offers the same illusory vista of desert sand dunes and infinitely reflecting lights. Nelson talks about this and other projects.

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This entry was published on August 18, 2015 at 9:12 am. It’s filed under Documentary, Video and tagged , , , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post.
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